Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante - Johann Sebastian Bach, Göran Söllscher Information

Acousticness: 94%
Danceability: 39%
Energy: 20%
Instrumentalness: 92%
Liveness: 11%
Loudness: 61%
Speechiness: 5%
Valence: 52%
Popularity: 3%
Loudness: -23.233 dB

Summary

Johann Sebastian Bach, Göran Söllscher made "Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante" available on August 31, 2020. The duration of Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 188 out of 506 in Born in the 1600s: Bach by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante BPM

The tempo marking of Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante by Johann Sebastian Bach, Göran Söllscher is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Suite for Solo Cello No. 2 in D Minor, BWV 1008 (Transcr. for Solo Guitar by Göran Söllscher): III. Courante Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Sonata in G Minor, Op. 65: III. Largo	Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel	B♭ Major	0	6B	89 BPM
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell	Robert Schumann, Piotr Anderszewski	C Major	0	8B	173 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
Lied ohne Worte in F-Sharp Minor, Op. 67/2	Felix Mendelssohn, Khatia Buniatishvili	F♯ Minor	1	11A	75 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande	Johann Sebastian Bach, Yo-Yo Ma	D Major	1	10B	137 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846	Luc Beauséjour	B Major	3	1B	78 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai	Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris	C Major	2	8B	83 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM

ISRC: DEF059102413
Label: L-M Records/RCA Records

Section: 0.7049887180328369

End: 0.7097353935241699