Peregrines Orchestra's 'Piano Sonata No.13 in G Major, Hob. XVI. 6 - IV. Finale. Allegro molto' had a release date set for January 21, 2021. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Piano Sonata No.13 in G Major, Hob. XVI. 6 - IV. Finale. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Joseph Haydn Collection". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Piano Sonata No.13 in G Major, Hob. XVI. 6 - IV. Finale. Allegro molto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No.13 in G Major, Hob. XVI. 6 - IV. Finale. Allegro molto by Peregrines Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 1: Ballo (Larghetto) | Christoph Willibald Gluck, Münchener Bach-Orchester, Karl Richter | E♭ Major | 1 | 5B | 127 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
Hommage till Lovisa Fredrica Bellman | Tomas Blank, Bellman Concerto Ensemble | C Major | 0 | 8B | 167 BPM | ||
Concerto for Strings and Continuo in B flat major, RV 163 "Conca": 1. (Allegro molto moderato) - Allegro molto | Antonio Vivaldi, I Musici | C Major | 3 | 8B | 162 BPM | ||
Douze Danses Allemandes - 10 Re majeur | Beethoven | D Major | 2 | 10B | 144 BPM | ||
6 Nocturnes, Op. 186: No. 2, Allegretto, ma un poco vivo | Johann Wenzel Kalliwoda, Hiyoli Togawa, Lilit Grigoryan | C Major | 2 | 8B | 96 BPM | ||
Quatuor No. 2 en mi bémol majeur: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Quatuor à Cordes Jean-Noël Molard, Jean-Pierre Lacour, Jacques Watelle, Robert Duval | E♭ Major | 2 | 5B | 133 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 2 | 2B | 77 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM |