- BPM
- 74
- Key
- C Major
- Camelot
- 8B
Letter From Home - Aaron Copland, Buffalo Philharmonic Orchestra Information
- Acousticness
- 91%
- Danceability
- 7%
- Energy
- 5%
- Instrumentalness
- 78%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 15%
- Loudness
- -23.17 dB
Summary
"Letter From Home" by Aaron Copland, Buffalo Philharmonic Orchestra was released on August 31, 2006. Letter From Home is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 6 out of 13 in Copland: Prairie Journal / The Red Pony Suite / Letter From Home by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Letter From Home is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Letter From Home BPM
The tempo marking of Letter From Home by Aaron Copland, Buffalo Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Letter From Home Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | |
 | Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | |
 | On the Town: II. Lonely Town: Pas de Deux | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Major | 0 | 10B | 71 BPM | |
 | Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | |
 | Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | |
 | Piano Concerto in C-Sharp Minor, Op. 45: II. Scherzo: Vivaco (Perpetuum mobile) | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | A Major | 2 | 11B | 99 BPM | |
 | Las Agachadas - Vocal | Aaron Copland, New England Conservatory Chorus | E♭ Major | 2 | 5B | 94 BPM | |
 | Chanson de nuit, Op. 15 No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic, Tasmin Little | G Major | 0 | 9B | 77 BPM | |
 | English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM |
- ISRC
- HKI190589506
- Label
- L-M Records/RCA Records
Section: 0.6200299263000488
End: 0.6322777271270752