Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens made "Ich lasse dich nicht, du segnest mich denn BWV 157: Aria and Recitative: Ja, ja, ich halte Jesum feste" available on March 7, 2007. With this song being about 5 minutes long, at 5:23, "Ich lasse dich nicht, du segnest mich denn BWV 157: Aria and Recitative: Ja, ja, ich halte Jesum feste" by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 65 in Bach: Cantatas Vol. 18 - Disc 1 by Johann Sebastian Bach, Ton Koopman. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Ich lasse dich nicht, du segnest mich denn BWV 157: Aria and Recitative: Ja, ja, ich halte Jesum feste is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ich lasse dich nicht, du segnest mich denn BWV 157: Aria and Recitative: Ja, ja, ich halte Jesum feste by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Opera, Johannette Zomer, Sandrine Piau, Sibylla Rubens is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Mass in B Minor, BWV 232: Aria: Qui sedes ad dextram Patris (Alto) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 0 | 3A | 113 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" | Ludwig van Beethoven, Igor Levit | A Minor | 0 | 8A | 126 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |
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