"Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 7. Elegy" by Anonymous, Edvard Grieg, Janos Balint, Deborah Sipkai was released on January 1, 1998. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 7. Elegy's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lyric Pieces, Book 4, Op. 47 (arr. for flute and harp): No. 7. Elegy by Anonymous, Edvard Grieg, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Missa "Et ecce terrae motus" A 12 voce: Kyrie: a. Kyrie eleison - Voice | Antoine Brumel, Huelgas Ensemble, Paul Van Nevel | C Major | 3 | 8B | 100 BPM | ||
Nigra sum sed formosa II | Jean L'héritier, The Choir of King's College London, Gareth Wilson | G Major | 1 | 9B | 92 BPM | ||
Viderunt omnes No. 1: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 128 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Salve Mater | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 3 | 10B | 79 BPM | ||
Te Joseph | Monks Of The Abbey Of Notre Dame | F♯ Minor | 1 | 11A | 122 BPM |
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