"Concerto a 5 in G minor, Op.9, No.8 for Oboe, Strings, and Continuo: 2. Adagio" by Tomaso Albinoni, I Musici, Heinz Holliger was released on January 1, 1987. The duration of Concerto a 5 in G minor, Op.9, No.8 for Oboe, Strings, and Continuo: 2. Adagio is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Concerto a 5 in G minor, Op.9, No.8 for Oboe, Strings, and Continuo: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Albinoni / Cimarosa / Marcello / Sammartini / Lotti: Oboe Concertos by Heinz Holliger, I Musici. Concerto a 5 in G minor, Op.9, No.8 for Oboe, Strings, and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in G minor, Op.9, No.8 for Oboe, Strings, and Continuo: 2. Adagio by Tomaso Albinoni, I Musici, Heinz Holliger is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, Hansheinz Schneeberger, Manfred Clement, Hermann Baumann, Werner Meyendorf, Karl Kolbinger, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | F Major | 4 | 7B | 117 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Flute Concerto No. 1 in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 117 BPM | ||
Concerto for two oboes Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | A♭ Minor | 1 | 1A | 139 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM |
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