"Children's Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on June 17, 2022. The duration of Children's Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Children's Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 140 out of 217 in Debussy: Classical Road Trip by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Children's Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Images I, L. 110: 1. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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