"Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice" by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity had its release date on February 11, 2022. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: VIII. Aeterna fac cum sanctis tuis | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Esther Lay, Helen Charlston, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Crucifixus a 5 | Antonio Lotti, Contrapunctus, Owen Rees | G Major | 1 | 9B | 139 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Coronis, Jornada primera: No. 1, Al monte, a la selva | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre | D♭ Major | 5 | 3B | 136 BPM | ||
Lullaby, My Sweet Little Baby (Arr. Pierini for Soprano, Baritone and String Quartet) | William Byrd, Claudia Barainsky, Mikhail Timoshenko, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Armide, LWV 71, Prologue: Entrée (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
Salve Regina: No. 3., Ad te suspiramus | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |