Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl made "Partie 5 en si bémol majeur: Aria" available on November 15, 1994. With Partie 5 en si bémol majeur: Aria being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pachelbel : Musicalische Ergotzung pour 2 violons & basse continue". In this album, this song's track order is #2. In terms of popularity, Partie 5 en si bémol majeur: Aria is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Partie 5 en si bémol majeur: Aria by Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces en fa majeur: Prélude | Gaspard Le Roux, Thierry Maeder, Bibiane Lapointe | F♯ Major | 4 | 2B | 109 BPM | ||
Concerto No.5, en fa majeur, Op. 17: Allegro | Jacques Aubert, Les Cyclopes, Thierry Maeder, Bibianne Lapointe, Florian Deuter, Monica Waisman, Helena Zemanova, Olivia Centurioni, Petr Skalka, David Sinclair | E Major | 2 | 12B | 105 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Suite du 2ème ton, 1er livre 1676: Prélude | Nicolas Lebègue, Thierry Maeder | B Major | 3 | 1B | 76 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Musicalische Ergötzung: Partie I in F-dur | Johann Pachelbel, Charles Medlam, London Baroque | E Major | 2 | 12B | 103 BPM |
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