Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling made "Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass)" available on January 1, 2000. With Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 21 in Bach, J.S.: Secular Cantatas, Bwv 208 and Bwv 209 by Johann Sebastian Bach, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata": Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass) by Johann Sebastian Bach, Sibylla Rubens, Eva Kirchner, James Taylor, Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Presto (very, very fast), since this song has a tempo of 189 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Cello Concerto in G Minor, RV 416: III. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 1 | 6A | 135 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |
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