John Dowland, Amarcord's 'Come away, come, sweet love' came out on 2006. The duration of Come away, come, sweet love is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Come away, come, sweet love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #4. Come away, come, sweet love is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come away, come, sweet love by John Dowland, Amarcord having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Folías: Folias | Gaspar Sanz, Antonio Martín y Coll, José Miguel Moreno | D Minor | 1 | 7A | 95 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Suite in C Major: II. Allemanda | Francesco Corbetta, Pierre Pitzl, Private Musicke | G Major | 0 | 9B | 103 BPM | ||
Galliard | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 86 BPM | ||
Dances From the English Dancing Master: Stingo 2 | John Playford, Folger Consort | A Minor | 1 | 8A | 172 BPM | ||
Canario | Carlo Calvi, Pierre Pitzl, Private Musicke | D♭ Major | 1 | 3B | 122 BPM | ||
Trios pour le coucher du roi, LWV 35: Chaconne | Jean-Baptiste Lully, Les Ordinaires, Allison Nyquist | B♭ Major | 1 | 6B | 79 BPM |
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