"Piano Concerto No. 20 K.466 (Arr. Solo Piano by Mayer-Mahr): II. Romance - Duca Dca 749" by Wolfgang Amadeus Mozart, Moritz Mayer-Mahr, Peter Phillips was released on April 2, 2024. Piano Concerto No. 20 K.466 (Arr. Solo Piano by Mayer-Mahr): II. Romance - Duca Dca 749 appears to be safe for all ages as it is not explicit. There are a total of 22 in the song's album "Passages. Heritage Brahms, Tchaikovsky & Mozart". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Piano Concerto No. 20 K.466 (Arr. Solo Piano by Mayer-Mahr): II. Romance - Duca Dca 749 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 20 K.466 (Arr. Solo Piano by Mayer-Mahr): II. Romance - Duca Dca 749 by Wolfgang Amadeus Mozart, Moritz Mayer-Mahr, Peter Phillips having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Serenata notturna in D Major, K. 239: III. Rondeau (Allegretto - Adagio - Allegro) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Mozart: Requiem in D Minor, K. 626: V. Rex tremendae | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Requiem In D Minor, K. 626: Communion: Lux Aeterna | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 89 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM |
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