Felix Mendelssohn, Roberto Prosseda's 'Lieder ohne Worte, Op. 102: No. 5 in A Major. Allegro vivace "The Joyous Peasant", MWV U 194' had a release date set for January 1, 2008. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Roberto Prosseda's "Mendelssohn: 56 Lieder ohne Worte" album is number 17 out of 61. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Lieder ohne Worte, Op. 102: No. 5 in A Major. Allegro vivace "The Joyous Peasant", MWV U 194's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Op. 102: No. 5 in A Major. Allegro vivace "The Joyous Peasant", MWV U 194 by Felix Mendelssohn, Roberto Prosseda to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op.9: 18. Aveu | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Gradus Ad Parnassum, Op. 44: No. 19: Presto | Muzio Clementi, Danielle Laval | A Minor | 4 | 8A | 77 BPM | ||
Kinderszenen, Op. 15: No. 8, Am Kamin | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
25の練習曲作品100 第12曲 別れ | Franz Burgmüller, Rintaro Akamatsu | E♭ Major | 1 | 5B | 179 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: XII. Adieu | Franz Burgmüller, Benedikt David | A Minor | 1 | 8A | 86 BPM | ||
20 Waltzes, Op. 127, D.146: No. 12 in G Minor - No. 14 in G Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 273 | Domenico Scarlatti, Alon Goldstein | B♭ Major | 1 | 6B | 69 BPM | ||
2 Waltzes, Op. 221: No. 2, Venus Valse, Boston-Valse | Marco Enrico Bossi, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
Keyboard Sonata in G Major, Kk. 235 | Domenico Scarlatti, Alon Goldstein | G Major | 1 | 9B | 112 BPM | ||
Trio in A Major (Hob. XV:18): II. Andante | Joseph Haydn, Gryphon Trio | B Minor | 0 | 10A | 89 BPM |