Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel made "Jackpot, Szene 3" available on 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 19 in Die haarsträubenden Fälle des Philip Maloney, No.14 (Der verlorene Sohn, Der Entführte, Die Verfolgte, Jackpot) by Philip Maloney, Roger Graf, Michael Schacht. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Jackpot, Szene 3 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jackpot, Szene 3 by Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der verlorene Sohn, Szene 1 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel, Peter Schneider | B Minor | 4 | 10A | 172 BPM | ||
Kapitel 40: Fremde Wildnis (Band 04) | Woodwalkers | G Minor | 5 | 6A | 117 BPM | ||
Der unsichtbare Schatz: Scene 4 | Michael Schacht, Jodoc Seidel, Carol Blanc, Andrej Togni, Peter Fischli, Päivi Stalder, Marco Biondi | D Major | 5 | 10B | 118 BPM | ||
Die Chaotin: Szene 1 | Michael Schacht, Jodoc Seidel, Alice Brungger, Ueli Beck, Isabel Schaerer, Monika Scharer, Peter Schneider | F♯ Major | 5 | 2B | 84 BPM | ||
Der Mann auf der Brücke: Scene 4 | Michael Schacht, Jodoc Seidel, Ueli Beck, André Togni, Sandra Moser, Carol Blanc, Marco Biondi, Peter Schneider | D♭ Major | 3 | 3B | 89 BPM | ||
Der verlorene Sohn, Szene 2 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel | E♭ Minor | 3 | 2A | 110 BPM | ||
Der Aprilscherz, Szene 4 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel | A Major | 5 | 11B | 167 BPM | ||
Kapitel 10 - Roboter [Wieso? Weshalb? Warum? ERSTLESER Folge 14] | Wieso? Weshalb? Warum?, Wieso? Weshalb? Warum? Erstleser, Annette Neubauer | E Major | 3 | 12B | 121 BPM | ||
Die Zeitmaschine 1 - Teil 01 | Die Zeitmaschine | B♭ Minor | 7 | 3A | 132 BPM | ||
Kapitel 9.2 & Kapitel 10 & Kapitel 11.1 - Wir erforschen Sterne und Planeten [Wieso? Weshalb? Warum? Folge 59] | Wieso? Weshalb? Warum?, Andrea Erne | B Minor | 4 | 10A | 126 BPM |
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