- BPM
- 157
- Key
- B♭ Major
- Camelot
- 6B
Candide / Act I: 6a. Battle Music - Leonard Bernstein, London Symphony Orchestra Information
- Acousticness
- 88%
- Danceability
- 44%
- Energy
- 78%
- Instrumentalness
- 91%
- Liveness
- 23%
- Loudness
- 85%
- Speechiness
- 22%
- Valence
- 35%
- Popularity
- 10%
- Loudness
- -8.818 dB
Summary
Leonard Bernstein, London Symphony Orchestra's 'Candide / Act I: 6a. Battle Music' came out on January 1, 1991. With Candide / Act I: 6a. Battle Music being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act I: 6a. Battle Music's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Candide / Act I: 6a. Battle Music BPM
The tempo marking of Candide / Act I: 6a. Battle Music by Leonard Bernstein, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Candide / Act I: 6a. Battle Music Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Parsifal, WWV 111 / Act III: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 87 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | Alan Turing's Legacy | Alexandre Desplat, London Symphony Orchestra | F Minor | 4 | 4A | 102 BPM | |
 | Das Rheingold, WWV 86A / Zweite Szene: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 5 | 3A | 112 BPM | |
 | Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | |
 | Pictures at an Exhibition: Promenade II | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 81 BPM | |
 | Daphnis et Chloé, M. 57 / Première partie: Danse grotesque de Dorcon - Vif - Plus modéré - Trés modéré - Pesant | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F Major | 1 | 7B | 189 BPM | |
 | Candide / Act I: XIV. I Am Easily Assimilated | Leonard Bernstein, Christa Ludwig, London Symphony Orchestra, London Symphony Chorus | D Major | 3 | 10B | 134 BPM | |
 | Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | |
 | Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1b, Marche de salon | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7793722152709961
End: 0.783043622970581