"Giselle / Act 1: Entrée de Giselle" by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on 1987. Since Giselle / Act 1: Entrée de Giselle is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 34 in Adam: Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Based on our statistics, Giselle / Act 1: Entrée de Giselle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 1: Entrée de Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
Cinderella, Op. 87: 16. Winter Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 118 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
Giselle: Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 144 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Barcarole ("June" from the "Seasons") | The Chamber Orchestra Kremlin, Misha Rachlevsky | G Minor | 0 | 6A | 80 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | E♭ Major | 5 | 5B | 83 BPM |
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