"Vespers for a New Dark Age: II. Hello Lord" by Missy Mazzoli, Victoire, Glenn Kotche, Lorna Dune was released on March 31, 2015. The duration of Vespers for a New Dark Age: II. Hello Lord is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Vespers for a New Dark Age: II. Hello Lord's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche, Lorna Dune's "Missy Mazzoli: Vespers for a New Dark Age" album is number 2 out of 9. In terms of popularity, Vespers for a New Dark Age: II. Hello Lord is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: II. Hello Lord by Missy Mazzoli, Victoire, Glenn Kotche, Lorna Dune to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Largo Serenade | Lorena Velic | F Minor | 1 | 4A | 80 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
Song from the Uproar: The Hunted | Missy Mazzoli, Abby Fischer, Celine Mogielnicki, Amelia Watkins, Kate Maroney, Tomas Cruz, Peter Stewart, Now Ensemble, Steven Osgood | A♭ Major | 1 | 4B | 68 BPM | ||
Violin Concerto “Adrano”: I. circa 48 – Più mosso circa 58 | Samy Moussa, Andrew Wan, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 153 BPM | ||
Trois poemes de Stephane Mallarme: I. Soupir | Maurice Ravel, Dawn Upshaw | G Major | 0 | 9B | 75 BPM | ||
Sonata XVI & XV "Gemini" | John Cage, David Greilsammer | D Major | 1 | 10B | 92 BPM | ||
The Four Sections - IV. Full Orchestra | Steve Reich, London Symphony Orchestra, Michael Tilson Thomas | D♭ Minor | 4 | 12A | 178 BPM | ||
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Spring 2 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM |
Section: 0.5635311603546143
End: 0.5682597160339355