"...quasi una fantasia..., Op. 27/1: Presto minaccioso e lamentoso (Wie ein Traumeswirren)" by György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw was released on April 28, 2017. With ...quasi una fantasia..., Op. 27/1: Presto minaccioso e lamentoso (Wie ein Traumeswirren) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Kurtág, Asko Schönberg, Netherlands Radio Choir, Reinbert de Leeuw's "György Kurtág: Complete Works For Ensemble And Choir" album is number 32 out of 52. Based on our statistics, ...quasi una fantasia..., Op. 27/1: Presto minaccioso e lamentoso (Wie ein Traumeswirren)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of ...quasi una fantasia..., Op. 27/1: Presto minaccioso e lamentoso (Wie ein Traumeswirren) by György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | ||
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM | ||
Nun komm' der Heiden Heiland, BWV 599 (Arr. for Piano 4 Hands by György Kurtág) | Johann Sebastian Bach, György Kurtág, Ani Sulkhanishvili, Nia Sulkhanishvili | A Minor | 0 | 8A | 67 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
6 Bagatelles for Piano, Op. 97: Impromptu, No. 5 | Jean Sibelius, Leif Ove Andsnes | B♭ Major | 0 | 6B | 108 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
White Lily (from 3 Hungarian Folksongs from Csík, Sz. 35a/3) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
3 Pieces, Op. 2: Etude Op. 2, No. 1 | Alexander Scriabin, Alexander Paley | F♯ Major | 2 | 2B | 110 BPM |
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