George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's 'The Alchymist, HWV 43: Saraband - Borée - Aire - Borée' came out on January 1, 1997. With this song being about 5 minutes long, at 4:51, "The Alchymist, HWV 43: Saraband - Borée - Aire - Borée" by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's "Handel: Water Music/Music for the Royal Fireworks etc." album is number 24 out of 51. In terms of popularity, The Alchymist, HWV 43: Saraband - Borée - Aire - Borée is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Alchymist, HWV 43: Saraband - Borée - Aire - Borée by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: I. Allegro | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 1 | 6B | 146 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM |
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