"Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra)" by Tomaso Albinoni, Maurice André, Jesús López-Cobos, London Philharmonic Orchestra was released on 1999. The duration of Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice André's "Music for Trumpet" album is number 16 out of 48. In terms of popularity, Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albinoni: Trattenimento armonico in D Minor, Op. 6 No. 4: I. Grave (Transc. for Trumpet and Orchestra) by Tomaso Albinoni, Maurice André, Jesús López-Cobos, London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Concerto a 5 in F, Op.9, No.3 for 2 Oboes, Strings, and Continuo: 3. Allegro | Tomaso Albinoni, Frank de Bruine, Alfredo Bernardini, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 108 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 107 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM |
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