"Double Concerto "Dialogue": VII. Coda" by David Gompper, Wolfgang David, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert was released on January 11, 2019. The duration of Double Concerto "Dialogue": VII. Coda is about 3 minutes long, at 3:01. Based on our data, "Double Concerto "Dialogue": VII. Coda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 11 in David Gompper: Double Concerto "Dialogue", Clarinet Concerto & Sunburst by David Gompper, Royal Philharmonic Orchestra, Emmanuel Siffert. In terms of popularity, Double Concerto "Dialogue": VII. Coda is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto "Dialogue": VII. Coda by David Gompper, Wolfgang David, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, Sir Neville Marriner, Minnesota Orchestra | G Major | 3 | 9B | 82 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: II. Des Helden Widersacher | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM | ||
La oración del torero, Op. 34 (Version for String Orchestra) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | F Major | 0 | 7B | 82 BPM |
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