"Canto de la Llanura (feat. Annette Kruisbrink & Arlette Ruelens)" by Anido Guitar Duo, Arlette Ruelens, Annette Kruisbrink had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Canto de la Llanura (feat. Annette Kruisbrink & Arlette Ruelens)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anido Guitar Duo's "Impresiones Argentinas" album is number 4 out of 9. On top of that, Netherlands appears to be the country where this track was created. Canto de la Llanura (feat. Annette Kruisbrink & Arlette Ruelens) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Canto de la Llanura (feat. Annette Kruisbrink & Arlette Ruelens) by Anido Guitar Duo, Arlette Ruelens, Annette Kruisbrink to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The RIverBed | Kevin Callahan | D Minor | 1 | 7A | 111 BPM | ||
Composition for gamelan for 2 guitars | Claudia Rumondor, Anido Guitar Duo | A Minor | 2 | 8A | 74 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 20 in A Major | Fernando Sor, Timo Korhonen | A Major | 1 | 11B | 107 BPM | ||
V. Asturias | Isaac Albéniz, Thibault Cauvin | E Minor | 2 | 9A | 114 BPM | ||
Dos Brisas de Abril: I. en la Mañana | Laura Verdugo del Rey | E Minor | 1 | 9A | 98 BPM | ||
Cantos de España, Op. 232: No. 4, Córdoba (Arranged by John Williams for Guitar) | Isaac Albéniz, John Williams | D Minor | 1 | 7A | 116 BPM | ||
Bach, J.S.: Solo Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga (Allegro) | Johann Sebastian Bach, Xuefei Yang | G Minor | 2 | 6A | 157 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 89 BPM | ||
Gracias a la vida (Arr. for Guitar by Emmanuel Sowicz) | Violeta Parra, Plínio Fernandes | A Major | 1 | 11B | 100 BPM | ||
Symphonic Etudes, Op. 13: Theme. Andante | Robert Schumann, Calvin Abdiel | A Minor | 3 | 8A | 142 BPM |