"Flute Sonata in E Minor, BWV 1034: I. Adagio Ma Non Tanto (Arr. For Piano by Irene Cantos)" by Johann Sebastian Bach, Irene Cantos was released on April 9, 2024. The duration of Flute Sonata in E Minor, BWV 1034: I. Adagio Ma Non Tanto (Arr. For Piano by Irene Cantos) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Flute Sonata in E Minor, BWV 1034: I. Adagio Ma Non Tanto (Arr. For Piano by Irene Cantos)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Irene Cantos, Pyotr Ilyich Tchaikovsky, Sergei Prokofiev, Johann Sebastian Bach's "Hymn to the Sun. Piano Works by Bach & Tchaikovsky" album is number 8 out of 23. On top of that, Germany appears to be the country where this track was created. Flute Sonata in E Minor, BWV 1034: I. Adagio Ma Non Tanto (Arr. For Piano by Irene Cantos) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Flute Sonata in E Minor, BWV 1034: I. Adagio Ma Non Tanto (Arr. For Piano by Irene Cantos) by Johann Sebastian Bach, Irene Cantos to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: I. Overture. Largo - Allegro | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 138 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM |
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