"Luna: La pícara molinera, Act 2: No. 7, Romanza, "Mi locura … Paraxin tú que vuelas" (Juan)" by Pablo Luna, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid had its release date on February 5, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 4 out of 15. The popularity of Luna: La pícara molinera, Act 2: No. 7, Romanza, "Mi locura … Paraxin tú que vuelas" (Juan) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luna: La pícara molinera, Act 2: No. 7, Romanza, "Mi locura … Paraxin tú que vuelas" (Juan) by Pablo Luna, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Molinos de Viento: "Tralará, Lará, Lará..." | Luis Pascual Frutos, Pablo Luna, Gran Orquesta Sinfonica | E♭ Major | 5 | 5B | 97 BPM | ||
Les Sylphides: Waltz in G-Flat Major, Op. 70 No. 1 (Orch. Douglas) | Frédéric Chopin, Paris Conservatoire Orchestra, Roger Desormiere | E Major | 3 | 12B | 117 BPM | ||
Già il Sole dal Gange | Alessandro Scarlatti, Javier Camarena | A Major | 5 | 11B | 164 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Rapsodie espagnole, M. 54: IV. Feria - Live | Maurice Ravel, BBC Northern Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
Molinos de Viento: Dúo: Qué me dirá... | Felisa Herrero, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 5 | 5A | 91 BPM |