Klaus Rothkegel, Boris Tesic's 'Hommage A Carulli: Nostalgisches Lied' came out on November 22, 2021. With Hommage A Carulli: Nostalgisches Lied being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Klaus Rothkegel, Boris Tesic's "Klaus Rothkegel: Anette's Dream" album is number 3 out of 28. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Hommage A Carulli: Nostalgisches Lied's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hommage A Carulli: Nostalgisches Lied by Klaus Rothkegel, Boris Tesic to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
26 Ricercares: No. 20, Ricercare del ottavo tono per B molle | Vincenzo Galilei, John Oeth | C Major | 0 | 8B | 77 BPM | ||
36 Caprices, Op. 20: No. 24, Allegro Molto | Luigi Legnani, Lucio Matarazzo | A♭ Minor | 2 | 1A | 78 BPM | ||
Puertas de Madrid: II. Puerta de Alcalá | Federico Moreno Torroba, Angelo Colone | A Minor | 0 | 8A | 70 BPM | ||
Fernando Sor : Estudio en si bemol mayor, no. 23 | Renata Tarragó | B Major | 1 | 1B | 123 BPM | ||
Improvisation | Frantz Casseus, Alberto Mesirca | A Minor | 1 | 8A | 75 BPM | ||
Estudo em Mi Maior | Jean Charnaux | D♭ Major | 3 | 3B | 132 BPM | ||
Grande Ouverture, Op.61:Andante sostenuto | Mauro Giuliani, CHISSI | A Minor | 0 | 8A | 134 BPM | ||
Partita II, Op. 104 - Relazione: I. Prelude | Andrew Keeping | E Minor | 0 | 9A | 105 BPM | ||
Air varié de l'opera de Bellini "I Capuleti e I Montecchi": Variation 2 | Giulio Regondi, Andrea Belmonte | A Major | 0 | 11B | 63 BPM | ||
Estudio in B Minor, Op. 35, No. 22 | Hasan Çakırsoy | B Minor | 2 | 10A | 103 BPM |
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