"Thirteen Changes: No. 3, Tiny Mites Circling One Hair in the Coat of a Polar Bear" by Pauline Oliveros, Silvia Tarozzi, Massimo Simoni was released on October 10, 2014. With Thirteen Changes: No. 3, Tiny Mites Circling One Hair in the Coat of a Polar Bear being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Virgin Violin by Pauline Oliveros, Silvia Tarozzi. The song's track number on the album is #4 out of 15 tracks. In terms of popularity, Thirteen Changes: No. 3, Tiny Mites Circling One Hair in the Coat of a Polar Bear is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Thirteen Changes: No. 3, Tiny Mites Circling One Hair in the Coat of a Polar Bear by Pauline Oliveros, Silvia Tarozzi, Massimo Simoni has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Thirteen Changes: No. 3, Tiny Mites Circling One Hair in the Coat of a Polar Bear being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
World Rhythms | Annea Lockwood | G Major | 4 | 9B | 108 BPM | ||
Aguirre I (L'Acrime Di Rei) | Popol Vuh | G Minor | 2 | 6A | 107 BPM | ||
The Lost Day - Remastered 2004 | Brian Eno | B Major | 1 | 1B | 115 BPM | ||
Variations on a Theme by St-Dipshit | Kyle Bobby Dunn | A Major | 1 | 11B | 71 BPM | ||
Fantastic Increments | Philip Gelb, Pauline Oliveros, Dana Reason, Barre Phillips | G Major | 1 | 9B | 82 BPM | ||
Lights On Water | Pan-American | A♭ Major | 1 | 4B | 66 BPM | ||
Greetings | Pauline Oliveros | F Major | 0 | 7B | 72 BPM | ||
Bondage To Formula | Kali Malone | E Minor | 0 | 9A | 69 BPM | ||
Lone Voyager | Lieven Martens, Dolphins Into The Future | C Minor | 2 | 5A | 104 BPM | ||
Etudes Instrumentales: b) Flute Mexicaine | Pierre Schaeffer | A♭ Major | 4 | 4B | 100 BPM |
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