Antonio Vivaldi, Cecilia Bartoli, Sonatori de la Gioiosa Marca made "Griselda / Act 3: Agitata da due venti" available on January 1, 1998. Griselda / Act 3: Agitata da due venti is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 5 out of 24 in Cecilia Bartoli - Live in Italy by Cecilia Bartoli, Jean-Yves Thibaudet, Sonatori de la Gioiosa Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Griselda / Act 3: Agitata da due venti's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Griselda / Act 3: Agitata da due venti by Antonio Vivaldi, Cecilia Bartoli, Sonatori de la Gioiosa Marca is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Il nascimento dell’Aurora: “Aure andate e baciate” | Tomaso Albinoni, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | B Major | 4 | 1B | 116 BPM | ||
La biondina in gondoleta | Traditional Venetian, Avi Avital, Juan Diego Flórez, Ivano Zanenghi, Daniele Bovo, Lorenzo Feder, Fabio Tricomi | G Major | 1 | 9B | 139 BPM | ||
Quella fiamma che m'accende | Benedetto Marcello, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 132 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 1. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM |
Section: 0.5659527778625488
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