I Can't Get Over a Girl Like You (Recorded 1926)
Aileen Stanley, Billy Murray
Comic 1920's Jazz Duets (Recorded 1923-1929)
3:22 November 22, 2014
BPM
135
Key
E♭ Major
Camelot
5B

Embed

Share Link

I Can't Get Over a Girl Like You (Recorded 1926) - Aileen Stanley, Billy Murray Information

Acousticness
100%
Danceability
64%
Energy
18%
Instrumentalness
0%
Liveness
27%
Loudness
79%
Speechiness
25%
Valence
40%
Popularity
Loudness
-12.785 dB

Summary

Aileen Stanley, Billy Murray made "I Can't Get Over a Girl Like You (Recorded 1926)" available on November 22, 2014. The duration of I Can't Get Over a Girl Like You (Recorded 1926) is about 3 minutes long, at 3:22. Based on our data, "I Can't Get Over a Girl Like You (Recorded 1926)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 21 in Comic 1920's Jazz Duets (Recorded 1923-1929) by Aileen Stanley, Billy Murray. Based on our statistics, I Can't Get Over a Girl Like You (Recorded 1926)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

I Can't Get Over a Girl Like You (Recorded 1926) BPM

The tempo marking of I Can't Get Over a Girl Like You (Recorded 1926) by Aileen Stanley, Billy Murray is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

I Can't Get Over a Girl Like You (Recorded 1926) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Go Back Where You Stayed Last Night - What's Good For The Goose by Ethel WatersGo Back Where You Stayed Last Night - What's Good For The GooseEthel WatersA♭ Major24B122 BPM
Top Hat White Tie and Tails by Ray Noble, Al BowllyTop Hat White Tie and TailsRay Noble, Al BowllyF Major57B176 BPM
Between 18th And 19th On Chestnut Street by Connee BoswellBetween 18th And 19th On Chestnut StreetConnee BoswellE♭ Major15B127 BPM
Goodbye Broadway, Hello France by American QuartetGoodbye Broadway, Hello FranceAmerican QuartetF Minor24A123 BPM
Ja-Da by Arthur FieldsJa-DaArthur FieldsE♭ Major35B114 BPM
Roll Along Prairie Moon by Roy Fox & His BandRoll Along Prairie MoonRoy Fox & His BandA♭ Major14B121 BPM
Au Revoir But Not Good Bye (Pro WW1 Song) [Recorded 1917] by Henry BurrAu Revoir But Not Good Bye (Pro WW1 Song) [Recorded 1917]Henry BurrD Major310B96 BPM
What a Man (Recorded May, 1926) by Aileen StanleyWhat a Man (Recorded May, 1926)Aileen StanleyF♯ Major12B203 BPM
One Little Word Led to Another by Billy CottonOne Little Word Led to AnotherBilly CottonE♭ Major05B96 BPM
Whisper, Sh! (Recorded October 1926) by Esther WalkerWhisper, Sh! (Recorded October 1926)Esther WalkerB♭ Major26B123 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5812699794769287

End: 0.5855236053466797