"Interlude #1" by Sound Liberation, David Taylor was released on January 22, 2021. With Interlude #1 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sound Liberation's "Money A Chamber Hip-hop Opera" album is number 3 out of 16. On top of that, Sweden appears to be the country where this track was created. Interlude #1 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Interlude #1 by Sound Liberation, David Taylor to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
April in Paris | Ruy López Nussa y La Academia | E Minor | 8 | 9A | 104 BPM | ||
First Contact (feat. Mikie Martel & Ugo Rossi) | Tobin Mueller, Mikie Martel, Ugo Rossi | A Minor | 4 | 8A | 92 BPM | ||
Ammazzacaffè | Aether Saxes | G Minor | 0 | 6A | 96 BPM | ||
RetroCelloTango (Gene Pritsker Remix) | Sound Liberation | E Minor | 7 | 9A | 128 BPM | ||
Marrakech | Peter Vuust, Aarhus Jazz Orchestra | F Minor | 6 | 4A | 90 BPM | ||
Passeggiando per Brooklyn | Corrado Giuffredi | F Major | 4 | 7B | 100 BPM | ||
Kinmok-Sailor | Martha Kato | F Major | 1 | 7B | 99 BPM | ||
These Boots Are Made For Walking | Marina Santelli, The Voodoo | D Minor | 6 | 7A | 132 BPM | ||
Chiclete com Banana | The Hornheads | E Major | 7 | 12B | 168 BPM | ||
He Called Me Baby | Nicki Parrott | D Minor | 3 | 7A | 106 BPM |
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