Yui Horie made "その先のJustice" available on March 26, 2003. With this song being about 5 minutes long, at 4:42, "その先のJustice" by Yui Horie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ほっ?, so we believe that "その先のJustice" is a single. Based on our statistics, その先のJustice's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of その先のJustice by Yui Horie is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Desire Again | Akari Kito | A Major | 10 | 11B | 191 BPM | ||
ambivalent world | 物語シリーズ | D♭ Major | 8 | 3B | 174 BPM | ||
GATE II 〜世界を超えて〜 | KISIDA KYODAN & THE AKEBOSI ROCKETS | D♭ Major | 9 | 3B | 103 BPM | ||
KOE | ASCA | A♭ Major | 8 | 4B | 84 BPM | ||
silky heart | Yui Horie | B Major | 10 | 1B | 135 BPM | ||
恋愛向上committee | 麻生夏子 | B Major | 10 | 1B | 185 BPM | ||
I my me | Yui Horie | D Major | 9 | 10B | 128 BPM | ||
Real Force | ELISA | F Major | 9 | 7B | 175 BPM | ||
over and over | yanaginagi | C Major | 9 | 8B | 92 BPM | ||
Nadamesukashi Negotiation | Kano | G Major | 10 | 9B | 150 BPM |
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