George Frideric Handel, Martin Kleitmann, József Moldvay, Mária Zádori, Judit Nemeth, Charles Brett, Ibolya Verebics, Istvan Gati, Gábor Kállay, Capella Savaria, Pál Németh made "St. John Passion, HWV deest: Part I: Recitative: Da ihn die Hohenpriester und die Diener sahen (Evangelist) – Chorus: Kreuzige, kreuzige (Chorus)" available on July 15, 2014. With St. John Passion, HWV deest: Part I: Recitative: Da ihn die Hohenpriester und die Diener sahen (Evangelist) – Chorus: Kreuzige, kreuzige (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Pál Németh's "Handel: St. John Passion" album is number 8 out of 39. The popularity of St. John Passion, HWV deest: Part I: Recitative: Da ihn die Hohenpriester und die Diener sahen (Evangelist) – Chorus: Kreuzige, kreuzige (Chorus) is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of St. John Passion, HWV deest: Part I: Recitative: Da ihn die Hohenpriester und die Diener sahen (Evangelist) – Chorus: Kreuzige, kreuzige (Chorus) by George Frideric Handel, Martin Kleitmann, József Moldvay, Mária Zádori, Judit Nemeth, Charles Brett, Ibolya Verebics, Istvan Gati, Gábor Kállay, Capella Savaria, Pál Németh to be Prestissimo (even faster than presto) because the track has a tempo of 242 BPM, a half-time of 121BPM, and a double-time of 484 BPM. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: Comfort ye my people | George Frideric Handel, Bible, Charles Jennens, Michael Weinius, Rebaroque, Gary Graden | B Major | 1 | 1B | 85 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM |
Section: 1.093207597732544
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