- BPM
- 170
- Key
- G Major
- Camelot
- 9B
Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo - Ludwig van Beethoven, Jean-Guihen Queyras, Andreas Staier, Daniel Sepec Information
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 23%
- Instrumentalness
- 77%
- Liveness
- 8%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 55%
- Popularity
- 2%
- Loudness
- -20.972 dB
Summary
Ludwig van Beethoven, Jean-Guihen Queyras, Andreas Staier, Daniel Sepec made "Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo" available on July 6, 2006. Since Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 18 in Beethoven: Violin Sonatas & Piano Trios by Ludwig van Beethoven, Andreas Staier, Daniel Sepec, Jean-Guihen Queyras. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo BPM
The tempo marking of Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo by Ludwig van Beethoven, Jean-Guihen Queyras, Andreas Staier, Daniel Sepec is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Piano Trio No. 1 in D Major, Op. 70: II. Largo assai ed espressivo Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | |
 | Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | |
 | Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM |
- ISRC
- FRZ140633060
- Label
- L-M Records/RCA Records
Section: 0.7090091705322266
End: 0.7140488624572754