Juan de Araujo, Ensemble Elyma, Gabriel Garrido's 'Para qué es amor' came out on August 18, 2017. The duration of Para qué es amor is about 3 minutes long, at 3:20. Based on our data, "Para qué es amor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 18 in Corpus Christi à Cusco by Various Artists, Gabriel Garrido. Para qué es amor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Para qué es amor by Juan de Araujo, Ensemble Elyma, Gabriel Garrido is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Rondeau in B-Flat Major "Les Bergeries", BWV Anh. 183 (Formerly Attrib. Bach) | François Couperin, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): E, se mai voci | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 0 | 7A | 170 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
Magnificat Quarti Toni - Ao vivo | Juan de Araujo, Ensemble PHOENIX, The Shahar Choir, Myrna Herzog, Alexander Fine, Amit Tiefenbrunn, Michal Okon, Marina Minkin, David Shemer, Hadas Gur, Shlomo Blumenfeld, Noa Horev, Macarena Lopez Lavin, Dan Dunkelblum, Boaz Brill, Ady Even Or, Tehila Nini Goldstein | A Minor | 1 | 8A | 131 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Et exulatavit | Claudio Monteverdi, Catherine Bott, Christopher Robson, John Mark Ainsley, Andrew King, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM |
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