Anton Bruckner, Moscow RTV Large Symphony Orchestra Guennadi Rosdhestvenski, USSR Ministry Of Culture Symphony Orchestra's 'Symphony No. 4 in E-Sharp Major "Romantic": II. Andante' came out on January 1, 2009. Since Symphony No. 4 in E-Sharp Major "Romantic": II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Bruckner: Symphony No. 4 "Romantic" by Anton Bruckner, Moscow RTV Large Symphony Orchestra Guennadi Rosdhestvenski, USSR Ministry Of Culture Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Symphony No. 4 in E-Sharp Major "Romantic": II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 4 in E-Sharp Major "Romantic": II. Andante by Anton Bruckner, Moscow RTV Large Symphony Orchestra Guennadi Rosdhestvenski, USSR Ministry Of Culture Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humoresque No. 1 in D Minor, Op. 87 | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1866-1868 Linz version): III. Scherzo. Schnell - Trio. Langsamer | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | G Minor | 1 | 6A | 116 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM |
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