"Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Suscepit Israel puerum suum" by Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Fabio Furnari, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai was released on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Suscepit Israel puerum suum being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Suscepit Israel puerum suum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Suscepit Israel puerum suum by Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Fabio Furnari, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Te Deum: II. Te gloriosus apostolorum chorus | Giovanni Bononcini, Owen Rees, Esther Lay, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Concerto in F Major "Il Proteo o sia il mondo al rovescio", RV 544: II. Largo | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 0 | 8B | 101 BPM | ||
Ayres for the Violin, Book 1 (Excerpts): Adagio | Nicola Matteis, Veronika Skuplik, Andreas Arend | A♭ Minor | 2 | 1A | 78 BPM | ||
Consort Music: Fantasy à 3 | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 0 | 4A | 101 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM |
Section: 0.4987952709197998
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