"Préludes - Book 2, L.123: 11. Les tierces alternées" by Claude Debussy, Pierre-Laurent Aimard was released on January 1, 2012. The duration of Préludes - Book 2, L.123: 11. Les tierces alternées is about 3 minutes long, at 3:15. Based on our data, "Préludes - Book 2, L.123: 11. Les tierces alternées" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 24 in Debussy: Préludes Books 1 & 2 by Claude Debussy, Pierre-Laurent Aimard. Based on our statistics, Préludes - Book 2, L.123: 11. Les tierces alternées's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes - Book 2, L.123: 11. Les tierces alternées by Claude Debussy, Pierre-Laurent Aimard is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Lieder ohne Worte, Op.19: No. 4 In A (Moderato), MWV U 73 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 134 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
13 Pieces, Op. 76: No. 5 Consolation | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 103 BPM | ||
Piano Sonata No.12 in F, K.332: 2. Adagio | Wolfgang Amadeus Mozart, András Schiff | F Major | 0 | 7B | 145 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM |
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