Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Lajos Rovatkay, Capella Agostino Steffani made "Konzert für Cembalo, Streicher & Basso continuo h-moll: I. Allegro moderato" available on 2000. Since Konzert für Cembalo, Streicher & Basso continuo h-moll: I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 14 out of 19. In terms of popularity, Konzert für Cembalo, Streicher & Basso continuo h-moll: I. Allegro moderato is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Konzert für Cembalo, Streicher & Basso continuo h-moll: I. Allegro moderato by Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Lajos Rovatkay, Capella Agostino Steffani to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in D Minor, Op. 3/11, RV. 565: III. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | B Minor | 1 | 10A | 66 BPM | ||
Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | ||
Viola Concerto No. 1 in D Major: II. Andante moderato | Carl Stamitz, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Minor | 0 | 7A | 116 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto A 5 in D Major, Op. 7, No. 6 for Oboe, Strings and Continuo: 1. Allegro | Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop | D Major | 4 | 10B | 123 BPM | ||
String Quartet in G Minor, Op. 32, No. 5: String Quartet in G Minor, Op. 32, No. 5: IV. Allegro giusto | Luigi Boccherini, Cuarteto Casals | G Minor | 2 | 6A | 129 BPM | ||
Concerto In A Major ("Die Relinge") TWV 51:A4, For Violino Principale, 3 Violins, Viola And Basso Continuo: 1. Allegro | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 105 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Suite from Dardanus: Le Monstre sortant des flots | Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra | A Major | 4 | 11B | 111 BPM |
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