"Rigoletto: Zitti, zitti (Conspirators' Chorus)" by Giuseppe Verdi, Atlanta Symphony Orchestra, Robert Shaw was released on March 1, 1994. With Rigoletto: Zitti, zitti (Conspirators' Chorus) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Robert Shaw, George Frideric Handel, Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chamber Chorus's "Grand & Glorious: Great Operatic Choruses" album is number 12 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, Rigoletto: Zitti, zitti (Conspirators' Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rigoletto: Zitti, zitti (Conspirators' Chorus) by Giuseppe Verdi, Atlanta Symphony Orchestra, Robert Shaw to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Puccini: Turandot, Act 1: "O giovinetto! Grazia! Grazia!" (Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 0 | 12B | 135 BPM | ||
Otello, Act IV: Act IV: Ave Maria (Desdemona) | Giuseppe Verdi, Raffaella Angeletti, Oviedo Filarmonía, Friedrich Haider | A♭ Major | 0 | 4B | 89 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Don Giovanni, K.527, Act II: Recitativo accompagnato. "In quali eccessi, o Numi" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Il trovatore: Condotta ell'era in ceppi | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra, Piero Giuliacci | D♭ Major | 0 | 3B | 90 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Macbeth / Act III: Scena e Duetto - Finale III: "Ove son io?" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Sergio Fontana, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B Major | 0 | 1B | 83 BPM | ||
Weh mir - Im Traume tief und schwer / O mio rimorso - La Traviata, Alfredo, 2. Akt;1988 Remastered Version | Francesco Maria Piave, Giuseppe Verdi, Josef Traxel | F Major | 3 | 7B | 97 BPM | ||
Te Deum in C Major, WAB 45: III. Aeterna fac | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | C Major | 1 | 8B | 65 BPM |
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