Larry Moore, Ronan Hardiman, Canyon Vista Middle School Symphony Orchestra, Elizabeth Frederick's 'The Lord of the Dance (arr. L. Moore)' came out on November 6, 2012. The Lord of the Dance (arr. L. Moore) is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There is only one song in 2011 Texas Music Educators Association (TMEA): Canyon Vista Middle School Symphony Orchestra, so we believe that "The Lord of the Dance (arr. L. Moore)" is a single. Based on our statistics, The Lord of the Dance (arr. L. Moore)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Lord of the Dance (arr. L. Moore) by Larry Moore, Ronan Hardiman, Canyon Vista Middle School Symphony Orchestra, Elizabeth Frederick is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
Be Thou My Vision | Larry Moore | A♭ Major | 2 | 4B | 130 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
Riverdance | Bill Whelan | E Minor | 5 | 9A | 114 BPM | ||
That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
Canterbury Choral | Jan van der Roost, Koninklijk HarmonieOrkest Schelle | D♭ Major | 0 | 3B | 65 BPM | ||
Turkey In The Straw | Carmen Dragon, The Capitol Symphony Orchestra | C Major | 5 | 8B | 143 BPM | ||
Over the Stone: IV. Crossing the Stone | Karl Jenkins, Alis Huws, Coronation Orchestra, Antonio Pappano | F Minor | 1 | 4A | 63 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM |
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