Silvius Leopold Weiss, Michel Cardin made "Sonata No. 6 in E-Flat Major, WeissSW 10: I. Prelude" available on January 1, 2015. With Sonata No. 6 in E-Flat Major, WeissSW 10: I. Prelude being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #34 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 6 in E-Flat Major, WeissSW 10: I. Prelude is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 6 in E-Flat Major, WeissSW 10: I. Prelude by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 6 in E-Flat Major, WeissSW 10: I. Prelude being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Ein Newgeordent Künstlich Lautenbuch, 1536: Ach Lieb Mit Leid, After Paul Hofheimer | Hans Neusidler, Joachim Held | C Major | 0 | 8B | 81 BPM | ||
Allegretto [ms. 86] – Sonata [ms. 87] Minuetto, Rondò (Allegro) | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Suite in F Major: VI. Gigue | Louis Couperin, Laurence Cummings | E Major | 3 | 12B | 172 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Lo Fill del Rei (King's son) | Miguel Llobet Solés, Stefano Grondona | D Major | 0 | 10B | 94 BPM | ||
Bergamasco | Giovanni Battista Domenico, Joachim Held | E Major | 2 | 12B | 109 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM |
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