Hymn to St. Cecilia, Op. 27
Benjamin Britten, Jonathan Bungard, Benedict Giles, Ben Harrison, Richard Moore, Reuben Thomas, Choir of St. John's College, Cambridge, Christopher Robinson
Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63
10:18 May 2, 2000
BPM
127
Key
A Major
Camelot
11B

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Hymn to St. Cecilia, Op. 27 - Benjamin Britten, Jonathan Bungard, Benedict Giles, Ben Harrison, Richard Moore, Reuben Thomas, Choir of St. John's College, Cambridge, Christopher Robinson Information

Acousticness
99%
Danceability
21%
Energy
4%
Instrumentalness
2%
Liveness
7%
Loudness
52%
Speechiness
4%
Valence
4%
Popularity
Loudness
-28.954 dB

Summary

"Hymn to St. Cecilia, Op. 27" by Benjamin Britten, Jonathan Bungard, Benedict Giles, Ben Harrison, Richard Moore, Reuben Thomas, Choir of St. John's College, Cambridge, Christopher Robinson was released on May 2, 2000. Hymn to St. Cecilia, Op. 27 appears to be safe for all ages as it is not explicit. The song is number 22 out of 22 in Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63 by Benjamin Britten, Choir of St. John's College, Cambridge, Christopher Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Hymn to St. Cecilia, Op. 27's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hymn to St. Cecilia, Op. 27 BPM

The tempo marking of Hymn to St. Cecilia, Op. 27 by Benjamin Britten, Jonathan Bungard, Benedict Giles, Ben Harrison, Richard Moore, Reuben Thomas, Choir of St. John's College, Cambridge, Christopher Robinson is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Hymn to St. Cecilia, Op. 27 Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

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ISRC
HKI199928222
Label
L-M Records/RCA Records

Section: 0.13601374626159668

End: 0.14026880264282227