"West Side Story" - Symphonic Dances: 6. Meeting Scene - Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman Information

Acousticness: 86%
Danceability: 22%
Energy: 8%
Instrumentalness: 74%
Liveness: 3%
Loudness: 65%
Speechiness: 5%
Valence: 10%
Popularity: 3%
Loudness: -20.715 dB

Summary

""West Side Story" - Symphonic Dances: 6. Meeting Scene" by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1997. With "West Side Story" - Symphonic Dances: 6. Meeting Scene being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 20 in Bernstein: West Side Story Symphonic Dances; Facsimile; Fancy Free; Candide Overture by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. "West Side Story" - Symphonic Dances: 6. Meeting Scene is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

"West Side Story" - Symphonic Dances: 6. Meeting Scene BPM

The tempo marking of "West Side Story" - Symphonic Dances: 6. Meeting Scene by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

"West Side Story" - Symphonic Dances: 6. Meeting Scene Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Danse Macabre, Op. 40	Camille Saint-Saëns, Leonard Bernstein	E♭ Major	2	5B	107 BPM
Songfest: VIII. "If You Can't Eat You Got To"	Leonard Bernstein, Clamma Dale, Nancy Williams, Rosalind Elias, Neil Rosenshein, John Reardon, Donald Gramm, National Symphony Orchestra Washington	C Major	1	8B	77 BPM
4 Dance Episodes from Rodeo: IV. Hoe Down	Aaron Copland, Leonard Bernstein, New York Philharmonic	D Major	5	10B	134 BPM
Genoveva, Op. 81	Robert Schumann, Leonard Bernstein, New York Philharmonic	C Minor	3	5A	135 BPM
Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio	Ludwig van Beethoven, Leonard Bernstein	G Major	4	9B	75 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto	Antonín Dvořák, Leonard Bernstein, New York Philharmonic	E Minor	2	9A	67 BPM
Peter and the Wolf, Op. 67: Andantino, come prima - Meno Mosso	Sergei Prokofiev, New York Philharmonic, Leonard Bernstein	A♭ Major	2	4B	79 BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
Rustic Wedding Symphony, Op. 26: III. Serenade. Allegro moderato scherzando	Karl Goldmark, Leonard Bernstein, New York Philharmonic	A Major	2	11B	79 BPM

ISRC: GBF079642507
Label: L-M Records/RCA Records

Section: 0.7420148849487305

End: 0.745586633682251