"Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto" by Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker was released on October 2, 2000. Since Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker's "Kennedy plays Bach with the Berlin Philharmonic" album is number 11 out of 12. In terms of popularity, Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto by Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Il Fondamento, Paul Dombrecht | D♭ Major | 4 | 3B | 113 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM | ||
Violin Concerto In D Major, Op. 35: 2. Romance: Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto) | Frédéric Chopin, YUNDI, Philharmonia Orchestra, Andrew Davis | E Major | 0 | 12B | 87 BPM | ||
Andante cantabile for cello and strings Op. 11 | Han-Na Chang, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 0 | 1B | 86 BPM | ||
Albinoni : Oboe Concerto in D minor Op.9 No.2 : II Adagio | Tomaso Albinoni, Jacques Chambon, Karl Ristenpart, Saarland Radio Chamber Orchestra | A Major | 1 | 11B | 87 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM |
Section: 1.2932119369506836
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