John Field, John O'Conor's 'Nocturne No. 5 in B-Flat Major. Andantino' came out on January 1, 1990. The duration of Nocturne No. 5 in B-Flat Major. Andantino is about 3 minutes long, at 3:04. Based on our data, "Nocturne No. 5 in B-Flat Major. Andantino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Nocturnes of John Field". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Nocturne No. 5 in B-Flat Major. Andantino's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne No. 5 in B-Flat Major. Andantino by John Field, John O'Conor having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Schumann, Clara: Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Sophie Pacini | A♭ Major | 2 | 4B | 78 BPM | ||
Goodbye, Mr. Rachmaninov - World Premiere Recording | Cyprien Katsaris | C Minor | 1 | 5A | 72 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, John O'Conor, Andreas Delfs, London Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
4 Impromptus, Op.90, D.899: 3. Impromptu In G-Flat Major | Roger Woodward | A♭ Major | 1 | 4B | 87 BPM |
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