"Eternal Father, Strong to Save (Arr. Michael Leighton Jones)" by The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones was released on November 9, 2012. The duration of Eternal Father, Strong to Save (Arr. Michael Leighton Jones) is about 3 minutes long, at 3:12. Based on our data, "Eternal Father, Strong to Save (Arr. Michael Leighton Jones)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "Eternal Father, Strong to Save (Arr. Michael Leighton Jones)" is a single. Eternal Father, Strong to Save (Arr. Michael Leighton Jones) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eternal Father, Strong to Save (Arr. Michael Leighton Jones) by The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lord's Prayer (Version for Mixed Choir & Piano) | Robert Stone, The St. Olaf Choir, Anton Armstrong | E Major | 0 | 12B | 81 BPM | ||
All Creatures of Our God and King (Arr. Ralph Vaughan Williams and Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Australian Chamber Brass, Jonathan Bradley, Michael Leighton Jones | D Major | 2 | 10B | 114 BPM | ||
Holy, holy, holy! | John Bacchus Dykes, Cathedral Choral Society, Nicholas White, Gisele Becker | D Major | 1 | 10B | 83 BPM | ||
Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | C Major | 2 | 8B | 89 BPM | ||
My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
Amazing Grace | Londonderry Choir | C Major | 1 | 8B | 83 BPM | ||
O Sacred Head Surrounded | Hans Hassler, Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 71 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Miles Lane "All Hail the Power of Jesus' Name" | William Shrubsole, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | A Major | 2 | 11B | 101 BPM | ||
O Vos Omnes | Jachet Of Mantua, The Choir of Trinity College, Melbourne, Christopher Watson | C Minor | 0 | 5A | 82 BPM |
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