Bedřich Smetana, Jaroslav Horáček, Marie Mrazova, Miroslav Kopp, Richard Novak, Czech Philharmonic Orchestra, Zdeněk Košler made "The Bartered Bride, JB 1:100, Act III, Scene 4: Oh, Dear Me, Dear Me! (Mícha, gruntovník, Háta, manželka Míchy, Vašek, syn Míchy a Háty, Kecal, vesnický dohazovač)" available on January 13, 2003. With The Bartered Bride, JB 1:100, Act III, Scene 4: Oh, Dear Me, Dear Me! (Mícha, gruntovník, Háta, manželka Míchy, Vašek, syn Míchy a Háty, Kecal, vesnický dohazovač) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #28. The Bartered Bride, JB 1:100, Act III, Scene 4: Oh, Dear Me, Dear Me! (Mícha, gruntovník, Háta, manželka Míchy, Vašek, syn Míchy a Háty, Kecal, vesnický dohazovač) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Bartered Bride, JB 1:100, Act III, Scene 4: Oh, Dear Me, Dear Me! (Mícha, gruntovník, Háta, manželka Míchy, Vašek, syn Míchy a Háty, Kecal, vesnický dohazovač) by Bedřich Smetana, Jaroslav Horáček, Marie Mrazova, Miroslav Kopp, Richard Novak, Czech Philharmonic Orchestra, Zdeněk Košler having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM |
Section: 0.6870200634002686
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