"24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major" by Dmitri Shostakovich, Igor Levit was released on September 10, 2021. With 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "On DSCH". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major by Dmitri Shostakovich, Igor Levit having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Polonaises, F. 12: No. 8 in E Minor | Wilhelm Friedemann Bach, Daniil Trifonov | E Minor | 0 | 9A | 66 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
A Slinky Foxtrot "Nocturne" | Robert Constable, Piers Lane | D Minor | 0 | 7A | 92 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
12 Études, Op. 10: No. 4 in C Sharp Minor "Torrent" | Frédéric Chopin, Daniel Barenboim | D Major | 0 | 10B | 66 BPM | ||
Nocturne, Op. 33 | Samuel Barber, Isata Kanneh-Mason | A♭ Major | 1 | 4B | 97 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VIII. Bergamasca | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 88 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM |
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