David Allen, Jürgen Kalwa made "Kapitel 14 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 14 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:08. Based on our data, "Kapitel 14 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 14 out of 210. In terms of popularity, Kapitel 14 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 14 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly, Act III: Addio, fiorito asil | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM | ||
Carmen: Act I: La cloche a sonné (Chorus of Cigarette Girls) | Georges Bizet, Leontyne Price, Franco Corelli, Robert Merrill, Mirella Freni, Monique Linval, Geneviève Macaux, Jean Christophe Benoit, Maurice Besancon, Frank Schooten, Bernard Demigny, Herbert von Karajan | E Major | 0 | 12B | 68 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Unknown Hand | Rob Jacobs, Andrew Clinkman, Phil Sudderberg, David Allen | D Major | 6 | 10B | 133 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Kapitel 183 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag | David Allen, Jürgen Kalwa | D♭ Major | 3 | 3B | 169 BPM | ||
Tosca / Act 2: Vittoria! Vittoria! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 5 | 4A | 62 BPM | ||
Der fliegende Holländer, WWV 63 / Act 2: "Ach, wo weilt sie" | Richard Wagner, Janis Martin, Isola Jones, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 109 BPM | ||
Les Contes d'Hoffmann / Prologue: Dans les rôles d'amoureux langoureux | Jacques Offenbach, Gabriel Bacquier, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 79 BPM | ||
Puccini: Turandot, Act 3: "Chi pose tanta forza nel tuo cuore?" (Turandot, Liù) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 126 BPM |
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