Next Life - James Gilchrist Information

Acousticness
70%
Danceability
46%
Energy
26%
Instrumentalness
0%
Liveness
11%
Loudness
79%
Speechiness
3%
Valence
35%
Popularity
Loudness
-12.65 dB

Summary

James Gilchrist's 'Next Life' came out on January 1, 2003. Next Life is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Special Compilation CD". In this album, this song's track order is #4. Based on our statistics, Next Life's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Next Life BPM

With Next Life by James Gilchrist having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Next Life Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Crucifixion: Recitative: He made Himself of no reputation (Bass) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownThe Crucifixion: Recitative: He made Himself of no reputation (Bass)John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim BrownB♭ Minor13A78 BPM
Jesu, meine Freude, BuxWV 60: II. Jesu, meine Freude by Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier FortinJesu, meine Freude, BuxWV 60: II. Jesu, meine FreudeDietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier FortinE Minor19A77 BPM
Stabat Mater (Hob. XXbis) 1767: II. O quam tristis et afflicta by Joseph Haydn, Catherine Robbin, The English Concert, Trevor PinnockStabat Mater (Hob. XXbis) 1767: II. O quam tristis et afflictaJoseph Haydn, Catherine Robbin, The English Concert, Trevor PinnockG Minor16A73 BPM
Missa Tempore Quadragesimae, MH 553: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: Agnus DeiMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiG Major19B73 BPM
Plsalm 130 - Plsalm 130 - "De Profundis" in d moll, ZWV. 50Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul DombrechtE Major112B139 BPM
Missa Dolorosa: VI. Agnus Dei by Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicMissa Dolorosa: VI. Agnus DeiAntonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
The Crucifixion: I. Recit. – The Crucifixion: I. Recit. – "And they came to a place named Gethsemane"John Stainer, Liam Bonthrone, Imogen Morgan, Duncan FergusonE Major212B76 BPM
Christ unser Herr zum Jordan kam, BWV 7: Aria: Des Vaters Stimme liess sich horen (Tenor) by Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerChrist unser Herr zum Jordan kam, BWV 7: Aria: Des Vaters Stimme liess sich horen (Tenor)Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerA♭ Minor11A83 BPM
Magnificat in D, BWV 243: Esurientes (countertenor) by Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient MusicMagnificat in D, BWV 243: Esurientes (countertenor)Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient MusicE♭ Major05B114 BPM
Der Himmel lacht! Die Erde jubilieret (Chorus) by Johann Sebastian Bach, Gillian Keith, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerDer Himmel lacht! Die Erde jubilieret (Chorus)Johann Sebastian Bach, Gillian Keith, James Gilchrist, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerB Major41B74 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7030365467071533

End: 0.7073066234588623