Philharmonia Slavonica, Alberto Lizzio, Herbert Krepela's 'Concerto For Violincello & Orchestra Op.34 B Flat Major: Allegro Moderato' came out on July 1, 1994. Since Concerto For Violincello & Orchestra Op.34 B Flat Major: Allegro Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philharmonia Slavonica, Alberto Lizzio, Camerata Romana's "Great Violincello Concertos" album is number 5 out of 7. Concerto For Violincello & Orchestra Op.34 B Flat Major: Allegro Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For Violincello & Orchestra Op.34 B Flat Major: Allegro Moderato by Philharmonia Slavonica, Alberto Lizzio, Herbert Krepela to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Trois pièces: II. Sans vitesse e lʼaise | Nadia Boulanger, Janne Fredens, Søren Rastogi | A Minor | 0 | 8A | 103 BPM | ||
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 2º Cuaderno: II. Estudio de Trémolo de Mano Izquierda | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | G Major | 1 | 9B | 115 BPM | ||
Scherzo (1954) | Jānis Ķepītis, Duo Arnicans | F Major | 2 | 7B | 132 BPM | ||
Violin Sonata No. 4 in D Major, HWV 371, Op. 1: III. Larghetto | Anthony Bracewell, Jun Cho | F Major | 0 | 7B | 127 BPM | ||
Invierno Porteño | Dimitri Illarionov, Boris Andrianov | D Minor | 0 | 7A | 87 BPM | ||
4 Romantic Pieces, Op. 75 (Transcr. Isserlis): No. 3, Allegro appassionato | Antonín Dvořák, Connie Shih, Steven Isserlis | A Minor | 0 | 8A | 79 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: IV. Menue - Trio - Polonaise | Johann Sebastian Bach, Philharmonia Slavonica, Karel Brazda | F Major | 0 | 7B | 126 BPM |
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